Feb 282016
 

Define a Film Festival? Pictures, performers, people and passion. Now in its 9th year, the Salem Film Fest presents all that and more, running March 3-10. The “and more?” As in previous years, filmmakers are expected to be present for more than half of the screenings, providing audiences with a unique opportunity to learn more about the documentary filmmaking process.

 

Here is a full list of the films along with trailers.

What more could founders filmmaker Joe Cultrera (Hand of God), local businessman Paul Van Ness (CinemaSalem, Van Ness Creative), Executive Director of the Salem Chamber of Commerce Rinus Oosthoek and others from the community ask for? How about a growth rate of 15-25% each year?

SFFLogo_2016BIGRun and operated entirely by volunteers, the week-long festival has become not only a community-wide event, but also one of New England’s largest documentary film festivals, with screenings at CinemaSalem, the Peabody Essex Museum and the National Park Service Salem Visitor Center. Plus, there are filmmaker parties and music events held at venues throughout downtown.

Well-told stories with strong technical elements and interesting visual approaches are what you will find at the 2016 Salem Film Fest. Yes, you could say it is a big deal. We think so. Check out the entire schedule, then mark your calendars. And definitely come to Salem, see the world.

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Feb 172016
 

PEMPM Activate

Explore Native cultures through sight and sound at the next PEM/PM this Thursday, February 18, from 6 to 9 pm. You are especially invited to celebrate the Peabody Essex Museum exhibition Native Fashion Now through many vehicles of creative expression, from fashion to music, art making and more.

To that end, the global musical sensation A Tribe Called Red will headline the monthly PEM/PM after-hours party with its electronic powwow and Native-inspired mash-ups. Explore cutting-edge Native street style with PEM staff strolling the runway in the latest Native designs. And try your hand at Native art making by creating your own perler bead coaster or screen print with Native artist Jared Yazzie.

Native Fashion Show

From vibrant street clothing to exquisite haute couture, this exhibition celebrates the visual range, creative expression and political nuance of Native American fashion. Nearly 100 works spanning the last 60 years explore the vitality of Native fashion designers and artists from pioneering Native style-makers to today’s maverick designers making their mark in today’s world of fashion.

Also examined is how non-Native designers adopt and translate traditional Native American design motifs in their own work, including Isaac Mizrahi’s now iconic Totem Pole dress.

Featuring contemporary garments, accessories and footwear spanning a variety of genres and materials, these designers traverse cross-cultural boundaries between creative expressions and cultural borrowing. From one of Patricia Michaels’ (Taos Pueblo) recent ensembles from the reality television series Project Runway to Jamie Okuma’s (Luiseño/Shoshone-Bannock) dramatically beaded Christian Louboutin boots and innovative works made from mylar, vinyl and stainless steel, Native Fashion Now underscores Native concepts of dress and beauty, which are inextricably bound to identity and tradition in a rapidly changing world.

A Tribe Called Red

The Canadian band was named 2014 breakthrough artist of the year at the Canadian Juno awards. It has performed in clubs from Paris to Berlin and has become a cultural touchstone for Native communities with its drumbeats, chants and full-throated singing.

PEM PM

ATCR’s music has been described as “the soundtrack to a contemporary evolution of the pow wow: their Electric Pow Wow events in Ottawa showcase native talent and aboriginal culture, alongside an open, wild party. Within a couple of years they’ve become the face of an urban Native youth renaissance, championing their heritage and speaking out on aboriginal issues, while being on top of popular music, fashion and art.”

Events of the Evening

  • Art Making from 6-9 pm, Studio 1, Create Space
    Create your own coaster with perler beads and chevron patterns, inspired by The Soft Museum.
  • Native Fashion Then from 6-7:30 pm , Atrium
    Curious to know how Native fashion has evolved over the years? Staff from the Phillips Library share photographs and patterns from the PEM collection.
  • Highlights Tour at 6:45 and 7:15 pm, Native Fashion Now Exhibition, Level 3
    Get an in-depth look at some of the favorites in the show from Assistant Curator Shoshanna Resnikoff.
  • Native Streetwear Fashion Show from 7-7:30 pm, Atrium
    Check out and admire the latest designs in streetwear by Native artist Jared Yazzie.
  • Screen Printing Demo from 7-8 pm, Studio 2, Create Space
    Join Native Fashion Now artist Jared Yazzie to make your own print of his custom artwork.
  • Live Music from 7:45-9 pm, Atrium
    Immerse yourself in the electronic beats and mashups of Native music by Producer/DJ Crew
    A Tribe Called Red

Attend and you will see why PEM’s Native American and Oceanic Art and Culture Curator Karen Kramer says that we are, “smack dab in the middle of a Native fashion renaissance.”

Admission is free for PEM members & Salem residents, and $10 for nonmembers. There will be a cash bar, as well as a small plates menu from the Hawthorne Hotel. For more information call 978-745-9500.

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Feb 062016
 

Alienation, and the desire to transcend it, are the driving forces behind “Intersections” the Peabody Essex Museum’s next Present Tense Initiative installation which showcases Pakistani-American artist Anila Quayyum Agha. It opens February 6th.

In the past, growing up under the strict conventions of gender that inform Pakistani society, Agha felt excluded and cloistered at home, while her male peers enjoyed warmth and companionship inside Pakistan’s exclusively male mosques. Fast forward to current day, now living in America, Agha experiences new freedoms and, yet, a different kind of exclusion — that of being a Muslim.

“Intersections,” an immersive single room installation conjures a site where a thousand years ago Islamic and Christian traditions thrived in coexistence.

IntersectionA five-foot laser-cut steel cube at the center of the gallery casts patterned shadows that echo the filigree found at the Alhambra Palace in Granada, Spain, a historic structure that was cooperatively built in the 14th century by Muslim, Jewish and Christian artisans and represents the coexistence of the Western and Islamic worlds.

A single light bulb centered in the cube creates the interplay of light and shadow across all of the gallery’s surfaces, as well as the viewer. It has been said that Agha presents an immersive meditation on the nature of boundaries, categorization and alienation, while evoking the power of that which is mutual and common to us all.

“Intersections envelops us physically and symbolically in a realm where beauty transcends division and conflict, ” says PEM Curator of South Asian Art Sona Datta. “Agha’s work asks us to consider worldly binaries — the sacred and the profane, inclusion and exclusion, male and female — while providing a sublime environment that leaves us in a state of awe.”

Anila Quayyum Agha was born in Lahore, Pakistan in 1965. She received her BFA from the National College of Arts, Lahore, and an MFA in Fiber Arts from the University of North Texas in 2001. She has had solo exhibitions in the United States, United Arab Emirates and Pakistan. Agha is currently an associate professor of drawing at the Herron School of Art & Design at Indiana University Purdue University Indianapolis.

“Intersections” is on view at PEM from February 6 through July 10, 2016. For more info call 978 745-9500.

The Present Tense Initiative is PEM’s dynamic, interdisciplinary exploration of contemporary art and culture and celebrates the central role that creative expression plays in shaping our world today. The Present Tense Initiative engages leading creative agents and thinkers to cultivate innovative experiences fueled by the intersection of cultures, disciplines and technologies. By encouraging innovation and fostering new forms of creativity, PEM seeks to push the boundaries of what a museum experience can be.

Attend this exhibit and see for yourself.

(Photo courtesy of the artist)

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Feb 032016
 

Ghost ArmyThere is reality and there is perception in life, but in the summer of 1944, camouflaging which was which was the point of an absurd, yet deadly, yet creative ruse being played out during World War II. The details of which were in The Ghost Army, an award winning documentary by Rick Beyer that played to sold out houses at the 2013 Salem Film Fest — and is returning as the Salem Film Fest presents a special screening of The Ghost Army this Thursday at CinemaSalem at 8:15pm. Beyer will be available for a Q&A session.

During World War II, a handpicked group of American GI’s undertook a bizarre mission: create a traveling road show of deception on the battlefields of Europe, with the German Army as their audience. The 23rd Headquarters Special Troops used inflatable rubber tanks, sound trucks, and dazzling performance art to bluff the enemy again and again, often right along the front lines.

Many of the men picked to carry out these dangerous deception missions were artists. Some went on to become famous, including fashion designer Bill Blass. In their spare time, they painted and sketched their way across Europe, creating a unique and moving visual record of their war. Their secret mission was kept hushed up for nearly 50 years after the war’s end.

Beyer has been quoted as saying “The idea that American soldiers in World War II went into battle with inflatable tanks and sound effects records was so bizarre, so contrary to every image from every war movie I’ve ever seen, that it immediately attracted my attention.”

The story will do the same for you.

For more details on the documentary, check out the coverage by PBS and view this excerpt.

For tickets to the showing at CinemaSalem please go to this website.

The Salem Film Fest will return March 3-10, 2016.

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Feb 022016
 

Secret Rooms Project continues to gather momentum at the House of Seven Gables. Thus far, $120,000 of the projected $200,000 needed to make the project a reality has been raised. What project? What secret?

The House of the Seven Gables has apparently guarded a long-held secret that is now ready to be shared with the world:

“The storied past of The House of the Seven Gables has something more to reveal within the original four walls of this venerable 1668 mansion. Two second-floor chambers (rooms) were partitioned off decades ago and later used for utilitarian purposes. Recent careful removal of the partitions and 18th-century flooring have revealed a large chamber and adjacent living space with original 17th-century wide pine floors, hand-forged nails and an exposed gunstock post.”

Secret RoomsIf you’ve visited the House several times for the various tours, lectures and events and thought you knew it inside and out… surprise!

The goal is to restore these previously private and largely unknown spaces and open them to the public. These newly restored rooms are expected to impart greater scope and meaning to the stories The House of the Seven Gables tells.

For as old as the building is, for as many people that have walked through it, you can well imagine the excitement that is surrounding this project from the Gable staff”s point of view.

From the Gables website:

“To turn this opportunity into a reality we need your help. Restoring these hidden-from-view spaces will involve a lot of tender loving care and require structural reinforcement of a summer beam (the main weight-bearing beam). The project is expected to cost $200,000. The good news is we have already raised over $120,000. We are looking to you to help us raise the balance and launch this exciting new chapter in our nation’s literary and cultural heritage.”

If you are on their email list, then keep an eye on your inbox for details about a crowdfunding campaign, which will soon go live.

Otherwise, to learn more, visit the Gables website.

(Photo courtesy of John Andrews of Social Palates Photography )

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